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Blow your Own Horn is Fergus McWilliams take on horn playing and more generally on music education. Written in a very spirited style, the book covers all aspects of playing and the profession, including practical elements such as auditions, embouchure, breathing, and exercises. In addition, McWilliam explores topics such as mind games, attitude, strategies, relativity, under pressure, why we need teachers, and much more.
- Sales Rank: #1033500 in Books
- Published on: 2012-01-03
- Released on: 2012-01-03
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .38" w x 6.00" l, .83 pounds
- Binding: Paperback
- 180 pages
About the Author
Fergus McWilliam was born in Scotland and grew up in Toronto. He has been a member of the Berlin Philharmonic since 1985 and was a founding member of the Berlin Philharmonic Wind Quintet in 1988. He has spent the last twenty years touring the world with the Berlin Philharmonic and has made over a dozen recordings with his ensemble. During his career, he has performed with many of the major conductors of our times, including Herbert von Karajan, Claudio Ababado, Sir Simon Rattle, Leonard Bernstein, Carlos Kleiber, Seiji Ozawa, Pierre Boulez, James Levine, Daniel Barenboim, and more. His solo and chamber music activities continue to take him throughout Europe, the Americas. and the Far East. Fergus McWilliam is also an internationally esteemed and sought-after teacher. He continues to give master classes at leading music schools in many countries He currently resides in Berlin.
Most helpful customer reviews
12 of 12 people found the following review helpful.
Not to be missed by the horn afflicted
By HadleyReynolds
If the subtitle "horn heresies" is not a strong enough indication, the publisher's description'"an anti horn-method method"'spells out Fergus McWilliam's ambition in this unusual contribution to horn pedagogy. His experience over years of teaching is that "the way the horn is taught is too frequently not the way the horn actually needs to be played." For the student in all of us, he reminds us that there is no alternative to taking ownership of the process of achieving mastery.
Blow Your OWN Horn is not a book for beginners. McWilliam makes clear that he is speaking to advanced students and teachers, players who can look at their experience "from the other side" of working through the popular methods. As a perpetual student myself, I get his view that: "It is not amateurish, flawed theories and unqualified teaching that ruin young hornists. Ultimately it is the students themselves who permit it to happen!"
McWilliam's anti-method method uses a short essay format that enables him to keep readers on their toes with anecdotes, galleries of mental images to consider, lists of ambitions to prioritize, probing questions to ponder, physical exercises to try out. The two major chapters in the practical section - on embouchure and breathing respectively - are insightful additions to the literature. The same is true of a section on auditions and one taking on high-horn, low-horn mythology. His treatment of misconceptions about the diaphragm, the multiple kinds of inhalations possible, and "air in motion" should be required reading, even for Arnold Jacobs aficionados.
Fergus McWilliam is a 27-year member of the highly regarded Berlin Philharmonic horn section. Born in Scotland, raised largely in Canada, a past member of the Detroit Symphony, he brings a refreshing international perspective to his ideas about playing the horn.
4 of 4 people found the following review helpful.
Great book!
By lee
I love this book! I heard about it through Sarah's Horn Hangouts. In my two, very short but very dedicated, years of playing the horn, I've always thought that there must be a better way to learning and playing the horn than grinding all day in a practice room. I even rejected some conventional ways of playing because I realized my body was a better performer and teacher of the horn than some of the rigid advice I was getting.
The first half of the book is mostly about the practice of skepticism: how teachers teach the way they do and why it's not necessarily the best way, how misconceptions about the horn are formed and debunked, how students are so eager to learn without questioning. The second half is about actual horn technique. I think this book is simply great for not just the horn, but just living life in general. It's in accordance with my own philosophy about musicianship: it's life itself, just expressed differently.
I disagree with the reviews that this book isn't for beginners. I think, actually, that it's best for beginners to dislodge themselves from misconceptions or pure adherence to a school of playing. I would still classify myself as a "beginner" who benefited a lot from this book.
3 of 3 people found the following review helpful.
Blow You Own Horn! It's a great book for many many reasons.
By Mr. J. Begg
The one book all horn -players should read and own. McWilliams's book is not a method book but a book that challenges us gently and occasionally not so gently into a re-examination of what motivates us to play the way we do. Horn Heresies also asks us to look at our deeply held precepts about horn-playing and to ask ourselves if we really need to go on doing the same old same old horn-shuffle when we could be engaged in a dynamic and thrilling horn-dance with our instruments. Don't look here for horn exercises, it's not that kind of book, but it is one to engage with and ponder over thoughtfully.
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