Senin, 21 Februari 2011

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What Money Can't Buy: The Moral Limits of Markets, by Michael J. Sandel

A renowned political philosopher rethinks the role that markets and money should play in our society

Should we pay children to read books or to get good grades? Should we put a price on human life to decide how much pollution to allow? Is it ethical to pay people to test risky new drugs or to donate their organs? What about hiring mercenaries to fight our wars, outsourcing inmates to for-profit prisons, auctioning admission to elite universities, or selling citizenship to immigrants willing to pay?
In his New York Times bestseller What Money Can't Buy, Michael J. Sandel takes up one of the biggest ethical questions of our time: Isn't there something wrong with a world in which everything is for sale? If so, how can we prevent market values from reaching into spheres of life where they don't belong? What are the moral limits of markets?
In recent decades, market values have crowded out nonmarket norms in almost every aspect of life. Without quite realizing it, Sandel argues, we have drifted from having a market economy to being a market society.
In Justice, an international bestseller, Sandel showed himself to be a master at illuminating, with clarity and verve, the hard moral questions we confront in our everyday lives. Now, in What Money Can't Buy, he provokes a debate that's been missing in our market-driven age: What is the proper role of markets in a democratic society, and how can we protect the moral and civic goods that markets do not honor and money cannot buy?

  • Sales Rank: #35106 in Books
  • Published on: 2013-04-02
  • Released on: 2013-04-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.12" h x .68" w x 5.46" l, .47 pounds
  • Binding: Paperback
  • 256 pages

From Bookforum
Sandel's world seems to be firmly divided between God and Mammom; in return for evicting the marketeers from the areas he holds sacred, he is prepared to grant them ruling powers over all the others. — Andrew Ross

Review

“Michael Sandel's What Money Can't Buy is a great book and I recommend every economist to read it, even though we are not really his target audience. The book is pitched at a much wider audience of concerned citizens. But it taps into a rich seam of discontent about the discipline of economics.... The book is brimming with interesting examples which make you think.... I read this book cover-to-cover in less than 48 hours. And I have written more marginal notes than for any book I have read in a long time.” ―Timothy Besley, Journal of Economic Literature

“Provocative. . . What Money Can't Buy [is] an engaging, compelling read, consistently unsettling and occasionally unnerving. . . [It] deserves a wide readership.” ―David M. Kennedy, Democracy

“Brilliant, easily readable, beautifully delivered and often funny. . . an indispensable book on the relationship between morality and economics.” ―David Aaronovitch, The Times (London)

“Sandel is probably the world's most relevant living philosopher.” ―Michael Fitzgerald, Newsweek

“In a culture mesmerized by the market, Sandel's is the indispensable voice of reason…. What Money Can't Buy. . . must surely be one of the most important exercises in public philosophy in many years.” ―John Gray, New Statesman

“[An] important book. . . Michael Sandel is just the right person to get to the bottom of the tangle of moral damage that is being done by markets to our values.” ―Jeremy Waldron, The New York Review of Books

“The most famous teacher of philosophy in the world, [has] shown that it is possible to take philosophy into the public square without insulting the public's intelligence. . .[He] is trying to force open a space for a discourse on civic virtue that he believes has been abandoned by both left and right.” ―Michael Ignatieff, The New Republic

“[Sandel]is such a gentle critic that he merely asks us to open our eyes. . . Yet What Money Can't Buy makes it clear that market morality is an exceptionally thin wedge. . . Sandel is pointing out. . . [a] quite profound change in society.” ―Jonathan V. Last, The Wall Street Journal

“What Money Can't Buy is the work of a truly public philosopher. . . [It] recalls John Kenneth Galbraith's influential 1958 book, The Affluent Society. . .Galbraith lamented the impoverishment of the public square. Sandel worries about its abandonment--or, more precisely, its desertion by the more fortunate and capable among us. . .[A]n engaging, compelling read, consistently unsettling. . . it reminds us how easy it is to slip into a purely material calculus about the meaning of life and the means we adopt in pursuit of happiness.” ―David M. Kennedy, Democracy: A Journal of Ideas

“[Sandel] is currently the most effective communicator of ideas in English.” ―The Guardian

“Michael Sandel is probably the most popular political philosopher of his generation. . .The attention Sandel enjoys is more akin to a stadium-filling self-help guru than a philosopher. But rather than instructing his audiences to maximize earning power or balance their chakras, he challenges them to address fundamental questions about how society is organized. . . His new book [What Money Can't Buy] offers an eloquent argument for morality in public life.” ―Andrew Anthony, The Observer (London)

“What Money Can't Buy is replete with examples of what money can, in fact, buy. . . Sandel has a genius for showing why such changes are deeply important.” ―Martin Sandbu, Financial Times

“One of the leading political thinkers of our time…. Sandel's new book is What Money Can't Buy: The Moral Limits of Markets, and I recommend it highly. It's a powerful indictment of the market society we have become, where virtually everything has a price.” ―Michael Tomasky, The Daily Beast

“To understand the importance of [Sandel's] purpose, you first have to grasp the full extent of the triumph achieved by market thinking in economics, and the extent to which that thinking has spread to other domains. This school sees economics as a discipline that has nothing to do with morality, and is instead the study of incentives, considered in an ethical vacuum. Sandel's book is, in its calm way, an all-out assault on that idea…. Let's hope that What Money Can't Buy, by being so patient and so accumulative in its argument and its examples, marks a permanent shift in these debates.” ―John Lancaster, The Guardian

“Sandel is among the leading public intellectuals of the age. He writes clearly and concisely in prose that neither oversimplifies nor obfuscates…. Sandel asks the crucial question of our time: ‘Do we want a society where everything is up for sale? Or are there certain moral and civic goods that markets do not honor and money cannot buy?'” ―Douglas Bell, The Globe and Mail (Toronto)

“Deeply provocative and intellectually suggestive…. What Sandel does…is to prod us into asking whether we have any reason for drawing a line between what is and what isn't exchangeable, what can't be reduced to commodity terms…. [A] wake-up call to recognize our desperate need to rediscover some intelligible way of talking about humanity.” ―Rowan Williams, Prospect

“There is no more fundamental question we face than how to best preserve the common good and build strong communities that benefit everyone. Sandel's book is an excellent starting place for that dialogue.” ―Kevin J. Hamilton, The Seattle Times

“Poring through Harvard philosopher Michael Sandel's new book. . . I found myself over and over again turning pages and saying, 'I had no idea.' I had no idea that in the year 2000, 'a Russian rocket emblazoned with a giant Pizza Hut logo carried advertising into outer space.'. . . I knew that stadiums are now named for corporations, but had no idea that now 'even sliding into home is a corporate-sponsored event.'. . . I had no idea that in 2001 an elementary school in New Jersey became America's first public school 'to sell naming rights to a corporate sponsor.' Why worry about this trend? Because, Sandel argues, market values are crowding out civic practices.” ―Thomas Friedman, New York Times

“An exquisitely reasoned, skillfully written treatise on big issues of everyday life.” ―Kirkus Reviews (starred review)

“In his new book, Michael Sandel --the closest the world of political philosophy comes to a celebrity -- argues that we now live in a society where ‘almost everything can be bought and sold.' As markets have infiltrated more parts of life, Sandel believes we have shifted from a market economy to ‘a market society,' turning the world -- and most of us in it -- into commodities. And when Sandel proselytizes, the world listens…. Sandel's ideas could hardly be more timely.” ―Rosamund Urwin, Evening Standard (London)

About the Author

Michael J. Sandel is the Anne T. and Robert M. Bass Professor of Government at Harvard University. His work has been the subject of television series on PBS and the BBC. His recent books include the New York Times bestseller Justice: What's the Right Thing to Do?.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A well written explanation of why you should be stopped from spending your own money
By Philosophy G.A.
Michael Sandel's book What Money Can't Buy: The Moral Limits of Markets demonstrates a fundamental misunderstanding of markets and either a misunderstanding of market arguments, or an unfamiliarity with the breadth of such arguments. It further shows an over reliance on his own idea of virtue ethics and an Aristotelian paternalism which is incredibly objectionable.

I purchased the book for a graduate school course and, as a read, it's very easy - though I did use audio book as well - so long as you can stomach the arguments. The things that he addresses, he addresses well, but his implicit assumption that the state must exist and equally implicit assertion that it must make people moral is laughable considering that neither of the two points is addressed. If the book was purely concerning moral theory, it would be a wonderful treatise on living "the good life". How it is written, however, is "You're going to live what I term to be 'the good life' whether you like it or not."

He further ignores the idea of treating people and their contributions to society well, opting instead to vilify those who make large sums of money and champion the poor as titans of virtue and proper valuation, claiming in many places that money cheapens the value of things. Though he dusts over the idea that it is people's minds and attitudes which must change in order to get to the moral society he desires while discussing paying students for achievement, the idea never returns and he advocates using the state to force compliance with his moral code - while decrying the same practice by parents, claiming that it stunts moral education.

All in all, after Justice and this book, I am largely unimpressed with Sandel as a political philosopher due to the fact that the only explicitly political questions that he deals in, he treats as assumptions, and then attempts to work out how such assumptions are aligned.

0 of 0 people found the following review helpful.
Awesome!
By Jeffery L Irvin Jr
Sandel is a wonderful author, and you can tell by the way he writes that he is a wonderful teacher in the classroom.

I can recommend this book along with his previous book, "Justice: What's the Right Thing to Do?"

These books offer no easy or ready-made answers. Instead, they invite us to reflect on moral and ethical dilemmas, and how we humans try to deal with them.

The bottom line is that morality, just like anything else in this universe, cannot violate the first law of thermodynamics. We live in a relatively closed system as a society and so decisions--political, moral, or economic--all require a knowledge of what we must give before we get.

In his latest book Sandel asks us to consider what we are giving up when we try to put a market price on everything in life.

Oscar Wilde once defined the cynic as a man who knows the price of everything but the value of nothing. I believe that Sandel is trying to warn us against becoming a completely cynical society, a society that looks at everything through the filter of an account ledger, blinding ourselves to all the other ways in which we should relate to one another in a society.

Read this book! You will be glad you did.

0 of 0 people found the following review helpful.
what's your value?
By Reid Mccormick
Recently, economics has found itself in the most unlikely places. Baseball is probably the best example of this. What used to be a sport of guts and instincts, baseball is now a sport where every microscopic detail is studied and valued.

And in a nutshell that is exactly what economics is, finding value. Professor Mark Sandel explores the idea of value in his book What Money Can’t Buy. Are there certain things in life that should not have a price tag? If so, why do certain things warrant no price while others do? Does pricing an item devalue it?

The ethical inquiry has been slow compared to hurried excitement over popular economics over the past couple of decades. There has been creation of new tools, processes, and market goods but there has been little examination of the morals behind each new innovation.

This book is extremely interesting, even though I felt like Sandel kept repeating the question with different scenarios.
In the end, he (and probably all his readers) agree that there is some moral limitation to the markets yet knowing them ahead of time may be a bit more difficult than we thought.

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Minggu, 20 Februari 2011

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  • Sales Rank: #14408007 in Books
  • Published on: 2003-01-31
  • Binding: Unknown Binding

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The Sheikh's Batmobile: In Pursuit of American Pop Culture in the Muslim World, by Richard Poplak

What happens to our pop culture when it meets another culture head-on—especially one that, according to some, is completely at odds with our own?

In The Sheikh’s Batmobile, pop culture commentator Richard Poplak sets out on an unusual two-year odyssey. His mission is to see what becomes of his and America’s obsessions—pop songs and sitcoms, Hollywood movies and shoot-'em-up video games, muscle cars and punk music—when they make their way into the Muslim world.

Over the course of his journey, Poplak gets body-slammed by WWE fans in Afghanistan, hangs out with hip-hop artists in Palestine, headbangs to heavy metal in Cairo, discovers a world of extreme makeovers in Beirut, bowls with the chief of police in small-town Kazakhstan, and encounters a mysterious Texan who builds rocket-propelled Batmobiles for a clientele of sheikhs.

With uproarious humor and keen cultural insight, Poplak asks some vital questions: How is American pop culture consumed and reinterpreted in the Islamic world? What does that say about how we are viewed by young Muslims? And can Homer Simpson bridge the divisions that are tearing our world apart?

  • Sales Rank: #1622760 in Books
  • Published on: 2010-08-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .97" w x 6.40" l, .95 pounds
  • Binding: Paperback
  • 384 pages

Review
Praise for The Sheikh's Batmobile

"With insight, humor, and compassion, The Sheikh's Batmobile puts a nail in the coffin of 'Clash of Civilizations' theory. The author and subjects are equally human. If you see Ayaan Hirsi Ali, throw this book at her." —Michael Muhammad Knight, author of The Taqwacores and Journey to the End of Islam

“Poplak’s expertly-researched and beautifully-written book is one of the most important documents of the post-9/11 world.” —The National Postt

“I would read Poplak if he wrote about watching paint dry. He is a gifted addition to the exploding and increasingly sloppy literary non-fiction genre. Dark, funny, self-deprecating and poetic, Poplak is a punk Graham Greene both exploiting and being exploited by the cultures he inhabits.” —The Globe and Mail

“A heroic feat of research, analysis, and on-the-ground reportage . . . At the very least, The Sheikh’s Batmobile should shatter the Western stereotype of the Muslim world as repressive and stagnant.” —Quill and Quire

“Poplak avoids making easy connections . . . his de-embedded journalism is always open-minded and captures the uncanny perfectly.” —Eye Weekly

“Humorous, astute and vivid . . . The Sheikh’s Batmobile will leave you itching to travel, giggling and glued to YouTube, looking up references. The book is less about how Muslims view Americans as it is about discovering a shared lexicon between two cultures. Poplak’s view of popculture is nuanced, as it emerges as a mutating entity crossing national and ideological boundaries.” —The Coast

“This is a great book and despite its lighthearted title and subject matter it’s a serious book. It’s an important book too, because it promotes understanding and leaves the reader with hope that at a human level, and at a creative level, the kids are all right.” —Winnipeg Free Press

“If . . . you’re willing to join the author on his irreverent excursions to dictators’ palaces, blaring Egyptian heavy metal sessions, concerts preempted by Kalashnikov fire, and secret Batmobile laboratories (yes, the book does live up to its name), then you will doubtlessly ease right into Poplak’s narrative . . . The book is not a magnifying glass searching for Western brushstrokes on an Islamic canvas, but rather a kaleidoscope that bounces the reader's assumptions and expectations off the colorful mirrors of zestful narrative and impressive legwork.” —Wiretap Magazine

“A fast-paced and culturally savvy look at a section of the Muslim population underrepresented, if not entirely ignored, by Western media.” —Open Book: Toronto

“In the riotous, fearless, and very funny tradition of Hunter S. Thompson and Jon Ronson, Richard Poplak takes us through the looking glass and into an upside down, funhouse mirror pop culture universe where Homer Simpson drinks juice out of a beer can, batmobiles are custom-designed in a desert lair and Islamic children spontaneously recreate the video for Lionel Richie’s ‘Hello.’ In the process, Poplak gives us a mantra that unites the West and the East, the secular and the sacred: ‘Fuck you, Shrek, you big green motherfucker.’” —Nathan Rabin, Head Writer, The A.V Club, author, The Big Rewind and My Year of Flops

“Whether dissecting Indonesian punk bands or the eternal wisdom of Magnum, P.I., Poplak is everything you want in a cultural interpreter—funny, frank and utterly incapable of spewing mass market pabulum. Poplak gets beyond the cheap, superficial observations lesser writers bring to his subject, revealing himself as a genuine thinker who delivers original insight and laughs in every chapter.” —Chuck Thompson, author of Smile When You’re Lying: Confessions of a Rogue Travel Writer



About the Author
Richard Poplak was born in Johannesburg, South Africa, in 1973 and immigrated to Canada with his family in 1989. A co-founder of the successful Canadian music label 2wars & A Revolution Records, Richard is also a trained filmmaker and has directed numerous music videos, earning five nominations at the 2005 MuchMusic Video Awards. Richard has written for various publications in Canada and South Africa, including Toronto Life, Canadian Living, and CBC Online. He is the author of the acclaimed Ja, No, Man: Growing Up White in Apartheid-era South Africa and most recently The Sheikh's Batmobile: In Pursuit of American Pop Culture In The Muslim World.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A little uneven, but ultimately worth while
By Keith Boyea
The Sheikh's Batmobile is part travelogue, part cultural investigation, and part personal exploration. Mr. Poplak visits several Muslim countries searching for the consequences of the hegemony of Western popular cultural in the region. I'm not quite sure that's right though: It is almost as if he is exploring how Western popular culture manifests itself in Egypt, Lebanon, Syria, the UAE, Indonesia, Iran, Afghanistan, and others (I know I'm missing a few.)

The book is often funny, and Mr. Poplak has a penchant for finding the humor and absurdity in the ways in which American popular culture is twisted, changed, and manipulated in the Muslim world. The best chapters are the ones on the Arabic version of the Simpsons and the WWE loving kids in Afghanistan.

Some of the chapters are a little less interesting--the death metal scene in Indonesia sticks out as one of these--but the book does a fairly good job of presenting the issue. One scene in particular stuck out for me: The author was discussing the Arabic version of the Simpsons with the producer. The Arabic version scrubbed out some of the social commentary that makes the Simpsons so funny and popular in the United States. The Arabic producer asked the author (I'm paraphrasing here) "Is that all we have, entertainment?"

I've been asking myself that question many times since reading it, especially in the face of the upcoming royal wedding, Donald Trump, and the other inanities presented to us as news. It is surprising--I found an insight to our own culture in a book trying to find insights in how our culture impacts Muslim culture.

0 of 0 people found the following review helpful.
Five Stars
By Louise
I happened to come across Richard Poplak's "The Sheikh's Batmobile" at a local used book store a while back. It wasn't a book I was familiar with but the cover looked interesting enough and I decided to take the gamble. I'm genuinely glad I did as I found Poplak's writing to be some of the most insightful, nuanced and entertaining commentary on the Islamic world that I've read to date.

A pop culture commentator by trade, Poplak visits nearly 20 Muslim-majority countries over the span of two years in the hopes of viewing firsthand how the Western pop culture he loves has found its way to, and uniquely ingrained itself in, the Dar al-Islam.

Perhaps Poplak's greatest accomplishment was his ability to humanize those he encountered. He refuses to fall into the easy but tired, Orientalist stereotypes and one-dimensional characters that many Middle East observers, intentionally or otherwise, so often seem to do. Throughout "The Sheikh's Batmobile," from Libya to Indonesia and a lot of places in between, the author finds the similarities that bind us far more than the differences that divide our cultures.

In times of such turmoil Poplak's work reads as a refreshing reminder of our common, shared humanity.

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Rabu, 16 Februari 2011

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On Whitman (Writers on Writers), by C. K. Williams

In this book, Pulitzer Prize-winning poet C. K. Williams sets aside the mass of biography and literary criticism that has accumulated around the work and person of Walt Whitman, and attempts to go back to Leaves of Grass as he first encountered it, to explore why Whitman's epic "continues to inspire and sometimes daunt" him. The result is a personal reassessment and appreciation of one master poet by another, as well as an unconventional and brilliant introduction--or reintroduction--to Whitman.

In brief, thematic chapters with many quotations from Leaves of Grass, Williams explores the innovations, originality, and sheer genius of the poetry that has become, as he puts it, "the unconscious" of much of the poetry of America and the world. Williams pays particular attention to the music of Whitman's poetry, its blazing perception and enormous human sympathy, its affecting anecdotes, and its vast cast of characters, as well as to the radical nature of Whitman's first-person speaker, his liberating attitude toward sex, and his unconventional ideas about death. While conveying the singularities of Whitman's work, Williams also shows what Whitman had in common with other great poets of his time, such as Baudelaire, and the powerful influence Whitman had on later poets such as Eliot and Pound.

Beautifully written and rich with insight, this is a book that refreshes our ability to see Whitman in all his power.

  • Sales Rank: #370132 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2010-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: .80" h x 4.60" w x 7.40" l, .54 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Starred Review. This jewel of a book, by one poet on another in the Writers on Writers series, does nothing less than show that Walt Whitman is the very unconscious and Paraclete of all American poets working today. With generous quotes from Williams's hero, we see how Whitman's oracular largesse most certainly extended to the continental-inspired Pound and Eliot. Williams returns to the pure, original edition (out of nine) of Leaves of Grass for inspiration, finding the so-called deathbed edition along with all the Leaves in between lacking the first flush of musical and formal elements. Williams likewise always returns to Leaves to explore what inspires—beyond Dante, Shakespeare, and others who attract him. In Song of Myself, the I and you, author and experiencer, are conflated to the point where the writer is one more of his own readers; Song of Myself tellingly ends with the word you. As Williams observes, Whitman wants us not to be afraid of ourselves, even of our dark, darkest, most doubting selves. As a personal introduction to the visionary free-verse wellspring of the American poetic spirit, this book is one that no poetry lover should miss. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Williams knows that the real meat and drink in Whitman's work lies in the poet's unprecedented assembling of rhythm, sound, language and images. He pays lavish tribute to what he refers to as Whitman's 'music,' the surge and flow of the lines; he also delights in Whitman's eye for the telling detail. . . . [A] winning book. . . . Enlightening and often moving."--Helen Vendler, New York Times Book Review

"Whitman, the great New York poet, cries out for evangelization, not explication. Accordingly, in this sweet slip of a book, Williams, himself an eminent poet, lets Walt speak freely, filling many pages with favorite passages, most frequently from the original 'Leaves of Grass,' of 1855. Williams's own prose is chatty and loose, dipping into big categories like 'Nature' and 'America' with the casualness of a Sunday social call. His best piece of analysis illuminates Whitman's deceptively complex use of 'you' as a means of addressing aspects of the self and soul, rather than the reader. The spirit of Whitman inspires charming candor, too: 'I was there for the sexual revolution, I saw the young people tear off their clothes and dance; I even wanted to do it myself, but I was shy.'"--Leo Carey, New Yorker

"One can see why C.K. Williams, a poet of wide-ranging curiosity and distinctive verbal 'music,' might have been drawn to write an introduction to Whitman. In his use of long, flowing lines--sometimes so long that his publishers have adopted unusually wide pages to accommodate them--Williams can seem to be an heir to Whitman's own poetic practice. There are times in his book on Whitman when Williams confides something that he knows as a poet."--Christopher Benfey, New York Review of Books

"On Whitman is an admirable homage to a poet without whom C. K. Williams himself would not write as he does."--Stephen Burt, New Republic

"On Whitman is revelatory when it comes to explaining Whitman's poetic gifts. With generous quotations from Leaves of Grass, Williams returns us to Whitman's music, his remarkable fusion of language and song. . . . On Whitman is not simply a personal tribute to Williams' great forerunner. The book rethinks the ways the 'good gray poet' established a language and an identity for future poets."--David Haven Blake, Philadelphia Inquirer

"Now, C. K. Williams has written a book on Whitman, and it arrives not a moment too soon. . . . In On Whitman, Williams takes an approach that's more innovative than it sounds: he keeps his focus on the poems. He wants to strip away the heavy theorizing and layers of biography that have accrued around his fellow poet. Williams's aim is to restore the strangeness and power he encountered when, at age 16, he made a Whitman anthology his first poetry purchase. 'For a young poet, reading Whitman is sheer revelation, sheer wonder, a delight bordering on then plunging into disbelief. How could all this come to pass?' His slender book offers a convincing answer."--Jeremy McCarter, Newsweek

"On Whitman is a small, excellent look at the greatest poet that the United States has produced to date. . . . If you really don't know Whitman's poetry, except for a poem or two you encountered in high school or college, Williams is a gracious, welcoming guide. Even if you are already an avid reader, he is still apt to renew your wonder about the work. Williams knows he isn't able to explain how Whitman became the poet he did, any more than his biographers. But he is able to describe what makes his poetry great, and so readable, as well as anyone."--Robert Pincus, San Diego Union-Tribune

"This little book is almost a book of devotion, so moved is the author, himself a poet, as he reads and re-reads Whitman. He writes that Whitman 'was the most spiritually perfect human being who ever lived.' His almost intimate reflections make this book a delight to read. Readers who think they know Whitman will learn much from C.K. Williams."--Charles Stephen, Lincoln Journal Star

"An estimable poet in his own right, C.K. Williams has written an accessible, short study of Walt Whitman's poetry. Part of a writers-on-writers series recently launched by Princeton University Press, On Whitman is a slight book, an appreciative meditation rather than a critical study. Williams helps readers see Whitman's genius, especially his intuitive grasp of the existential and metaphysical demands of a radically democratic culture."--R.R. Reno, First Things

"The acclaimed poet C. K. Williams celebrates the energy, legacy, and artistry of Walt Whitman with astute and exuberantly abundant recourse to the bard's free and formidable verse."--Barnes and Noble Review

"[D]elightful."--Choice

"Williams invites us to hop on as he takes us on an exhilarating ride through Whitman's poetry."--Ed Folsom, Walt Whitman Quarterly Review

"C.K. Williams, a contemporary poet, writes succinctly yet compendiously of his predecessor and model's sprawling verse, and conveys a refreshing candid enthusiasm so different from the current criticism that reproves poets for failing to match their critics' acuity."--John E. Alvis, Claremont Review of Books

From the Inside Flap

"This is the exuberant, true book of a poet, of two poets: a personal, illuminating, and beautiful demonstration of the truest reading."--Robert Pinsky

"C. K. Williams captures Whitman with the impassioned erudition and discernment that only a master poet can deploy. Yet what's perhaps most remarkable is how it feels as if Williams has somehow captured our 'private' Whitman as well, the Whitman who has vivified every American writer and reader after him. Through Williams's electric, intimate encounter with the work and life of the 'lovely old man,' we feel that we are poetically partaking of Whitman's genius and soul in this inspiring, enlivening, and unexpectedly moving volume."--Chang-rae Lee, author of Native Speaker

"Respondez! Respondez! is what Walt Whitman demands of his readers, and C. K. Williams has responded indeed. With a poet's own astonishment and delight, imagining what it must have been like for Whitman to experience out of the blue the 'stupendous, relentless surge of poetic music' that made Leaves of Grass possible, Williams deals happily with Whitman's hugeness and his intimacy, his sexuality and his metaphysics, his equal celebrations of life and death, and his gigantic role in our literary history--but above all with 'the sheer, ever amazing power of the poems themselves.' On Whitman is a book written with infectious joy, and will bring joy to its readers."--Alicia Ostriker, author of Dancing at the Devil's Party: Essays on Poetry, Politics, and the Erotic

"C. K. Williams is widely regarded as one of our most Whitmanesque poets. Now he offers his reflections on a lifetime of reading his great predecessor. On Whitman is elegant, witty, and unfailingly illuminating. It seems certain to become one of the handful of essential books about Whitman."--Michael Robertson, author of Worshipping Walt: The Whitman Disciples

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6 of 6 people found the following review helpful.
On Whitman and His Still-Sung Song
By William B. Jones
Beginning with a question posed by a friend, namely, "What in heaven's name is left to say?" of Walt Whitman, C. K. Williams responds with a personal look at (mostly) the earlier poems and (largely) his continuing poetic presence. Inhabiting full the human form (in his imagination, at least), likening himself near to Christ, visioning democracy for America and (over)re-visioning Leaves of Grass -- this is the Whitman Williams brings to fore.

A concise, pocket-sized companion with which to revisit (or, lucky reader! meet for the first time) the poet before whose self-publication the self was rarely imagined in so brilliant and expansive a pose. With intriguing consideration of the not-entirely separable categories (though Williams tries) of imagination, religious sensibility and mysticism variably applied to Whitman's work.

1 of 1 people found the following review helpful.
Five Stars
By Barbara Knott
One of the best books on poet and poetry I have ever read.

2 of 22 people found the following review helpful.
Don't buy this book: it sucks
By E. Aker
You should probably buy a book of C.K. Williams's poetry instead of this because this book is terrible and terribly boring. Any other reviewer who rates it highly was paid by the publishing houses to do so or owes them a favor.

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  • Sales Rank: #1731317 in Books
  • Published on: 2015-09-01
  • Original language: English
  • Binding: Calendar
  • 13 pages

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By Kathleen Oricchio
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Anne Frank (10 Days), by David Colbert

Bestselling author David Colbert creates a new form of biography as he examines the life of Anne Frank by looking at the ten most important days of her life.

You're about to be an eyewitness to ten crucial days in Anne Frank's life, including:

A wrenching decision to flee Germany

A chilling letter that sent her family into hiding

The gift of her one true confidante - her diary

A sickening betrayal to the Nazis

And a tragedy in the concentration camps just before liberation.

These days and five others shook Anne's world - and yours.

  • Sales Rank: #543217 in Books
  • Brand: Aladdin
  • Published on: 2008-09-02
  • Released on: 2008-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x .40" w x 5.13" l, .24 pounds
  • Binding: Paperback
  • 160 pages

About the Author
David Colbert's most recent book is the New York Times bestseller Michelle Obama: An American Story. In addition to the 10 Days series, he authored the acclaimed Eyewitness series of first-person history and the Magical Worlds series for children. More than two million copies of his books are in print in almost thirty languages.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Not just a Scratch on the Surface
By Denise Willbanks
If you think that a title like Anne Frank -10 Days implies a simple overview of this brave girl's life, you are mistaken, as I was. When I opened the book, I expected a scratch on the surface, a mere 10 days in the life of the famous Jewish girl who fled Nazi Germany, and was captured and imprisoned in the cruelest of concentration camps. Author David Colbert, who has published many adult and children's biographies, does not simply scratch the surface, but takes the reader on an in-depth journey into Anne's emotions and acts of bravery. At times, the lump in my throat and knot in my stomach grew so strong with pity and admiration for this young girl that I had to take a break from the book.

While the book is cleverly broken down into 10 influential days in Anne's life, like being captured by the Nazi army and holding her sister while she died from disease, Colbert makes it seem like a complete biography. He weaves in memories from the past and backstory, along with historical descriptions of the time period, so that the reader finishes not lacking anything.

Anne Frank -10 Days is an ideal book for the at-risk reader of middle school age. Although the book is written at a seventh grade level, the layout, headings, pictures, and clear style make it an easy read to comprehend. The tough issues of death, disease, and torture make it appropriate for children old enough to handle this and discuss how it makes them feel.

If a reader is interested, or required, to read a longer Anne Frank diary, of which there are many titles and versions, this quick 144 page biography is a must read to help frame the setting, time period, and order of events. It will actually help hesitant readers get excited about the longer work, as Colbert has found a way of making Anne seem like a dear friend you have connected with emotionally, and want to learn more about.

This biography will change the way young adults view the world, as Anne's story is filled with moral and ethical dilemmas of our past that we dare not repeat. Anne's bravery will bring hope and perseverance for those going through tough times, and will appeal to even those who are not interested in history.

1 of 1 people found the following review helpful.
My input.
By .Christ.
Coming from the number one book seller to this book about the number two book seller of all time, I appreciate the reference to how these events shook my and should have shaken everyone's "world".

0 of 0 people found the following review helpful.
Girls and Boys will appreciate this book
By the teach
A good book to summarize the life of Anne Frank. It is more appropriate for readers in fourth and fifth grades as compared to the Diary of Anne Frank which is much more intimate and complex.

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Jumat, 04 Februari 2011

[C607.Ebook] Ebook Download Media Ethics: Issues and Cases, by Philip Patterson, Lee Wilkins

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Media Ethics: Issues and Cases, by Philip Patterson, Lee Wilkins

By combining real-life and hypothetical cases with a succinct introduction to ethical theory, Media Ethics: Issues and Cases helps students prepare for the ethical situations they will encounter in the media professions. Driven by case studies, this text is an ideal choice as the main text in a media ethics course or as a supplemental text in any course in journalism.

  • Sales Rank: #175614 in Books
  • Published on: 2010-07-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.30" l, 1.00 pounds
  • Binding: Paperback
  • 352 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Required Text for a university course.
By CAK
I purchased this required text for a university class I am enrolled in. So, far I have only seen one or two statements within it that I question. Overall, it seems to be a thorough discuss of ethics and media, however.

1 of 1 people found the following review helpful.
Good
By FutureLibrarian92
Lots of interesting cases to read over and a lot to learn about. The book was a little scuffed up, but I knew that's what I was getting.

1 of 1 people found the following review helpful.
Great book for PR students or professionals
By McKenzie Bullock
This book contains practical uses and examples that are applicable information in professional arenas, especially in the field of PR.

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Selasa, 01 Februari 2011

[C989.Ebook] Download Ebook The Tracker: The True Story of Tom Brown Jr., by Tom Brown

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The Tracker: The True Story of Tom Brown Jr., by Tom Brown

In what promises to be the most acclaimed new voice of spirit, man and nature since Castaneda, the famous "Pine Barrens" tracker reveals how he acquired the skill that has saved dozens of lives - including his own. His story begins with the chance meeting between an ancient Apache and a New Jersey boy. It tells of an incredible apprenticeship in the Wild, learning all that is hidden from modern man...

  • Sales Rank: #20669 in Books
  • Brand: Brown, Tom
  • Published on: 1986-10-15
  • Released on: 1986-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x .63" w x 4.25" l, .28 pounds
  • Binding: Mass Market Paperback
  • 229 pages

Most helpful customer reviews

128 of 134 people found the following review helpful.
Maybe a little "lterary license" but, by and large, true!
By Amazon Customer
Having read some of the earlier reviews I thought that it might be enlightening to provide a little bit of background for "The Tracker" and its author, Tom Brown, Jr.
I have hunted and fished and loved the outdoors all of my life. When I first read "The Tracker" I was immediately fascinated with the thought that there still might be a master tracker and survivalist somewhere in the world and that if even 50% of "The Tracker" was true, I had to find this guy!!! First of all, though, I searched out and read everything I could by Tom Brown and began to realize just how little I knew about the "real" world. I finally contacted the publisher of "The Tracker" and was directed to a P.O. Box number in New Jersey. I wrote to Tom about the possibility of learning from him and was rewarded by being informed that he operated an outdoors school. I began to attend classes there and judged for myself if Tom was the person he claimed. My conclusion is-- that he can do everything he claims (and I have seen him do some stuff that just leaves you shaking your head). Countless newspaper stories in New Jersey and elsewhere documenting his ability to find lost people (some of whom didn't necessarily want to be found) attest to his tracking ability. His favorite phrase seems to be, "Prove me wrong!". He is confident of his ability and genuinely wants you to be able to do the same things he does. Don't let the fact that our lives are pretty much consumed by the day to day struggle to survive blind you to the fact that there is a fantastic world out there and try to remember that you once knew about it when you were young and your mind was open. "The Tracker" is a great read that you can take as fiction OR fact and enjoy equally!! Be careful, though, because it may have the same effect as the little pill in "The Matrix" and you may "wake up". In any case, it will at least remind you of how life used to be when you were young and everything was fascinating!!!

0 of 0 people found the following review helpful.
A Wonderful and Enjoyable Resource on Tracking, WIlderness Survival and More
By Dick N.
Some reviewers have been critical or skeptical of this book and/or it's author. My latest purchase of this book was as a gift, for a young relative who's going thru training for position as a Game Warden. My own copy was purchased many years ago, after learning of it thru other boys in my sons' Boy Scout troop at the time. There were no reviews by others that biased my view or appreciation of it at that time.

I read the book thru cover-to-cover, and learned many things - about 'how to track', basic wilderness survival considerations and methods ...and about life from 'different perspectives.' Whatever criticisms some reviewers recorded in Amazon many years later, I didn't experience or consider them worth remembering. Some of the 'promotional wording' on the cover really doesn't relate to what I got out of the book. This is just too good - as instruction, as appreciation, and even just basic enjoyment.

One of the most significant 'lessons' was what he described as Stalking Wolf's (Grandfather's) primary (or only?) teaching method. Unlike many "how to" books (like the typical Boy Scout Manual of the time), Grandfather never 'told them' to "do this or do that" in response to some situation. What he did (entirely, it seems, from my memory of reading it long ago) was to ask questions ...which provoked the boys to use their powers of observation and thinking processes to learn for themselves about the situations he placed them in, or pointed them toward.

If someone is interested in learning about basics of tracking and/or wilderness survival, I don't think this is a resource they should overlook ...unless they're already very advanced from other 'hands on' training (maybe Special Forces or Ranger training? I never experienced those myself, so can't compare it).

0 of 0 people found the following review helpful.
We did a chapter a day and found it the greatest adventure book ever
By jacqueline m leonard
I found this at the library 20 years ago and read it to our 2 young daughters. We did a chapter a day and found it the greatest adventure book ever. After reading this book, I went on to read all of the books Tom Brown wrote concerning his further adventures and instruction from Grandfather in the natural and spiritual order.

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It is a pleasure to introduce to the reader this new Marine Painting Manual. The previous edition, entitled Ship Painting Manual, was published in 1975. Since then a number of new technological developments have taken place. Also, standards with regard to safety, health and the environment have become more severe. These changes called for a thoroughly revised and updated Marine Painting Manual. I believe that the editor should be congratulated on having completed this task in such a commendable way. I hope that this new volume will find as enthusiastic a response among those concerned with maritime affairs as its predecessor did some fifteen years ago. - Dr. Jan Raat, Director Netherlands Foundation for the Co-ordination of Maritime Research
The Marine Painting Manual sets out to provide clear guidelines for the effective protection of marine structures, ocean-going vessels and offshore platforms. Painting is a high cost procedure and is a crucial factor in determining the life and subsequent maintenance of steel structures in the marine environment. The book is a follow-up to the Ship Painting Manual published in 1975. It has been completely revised, partly rewritten and an additional chapter on offshore structures included. The present volume contains detailed and up-to-date information on all aspects of the preparation and painting for the protection of marine structures. 

  • Sales Rank: #9991137 in Books
  • Published on: 2013-10-04
  • Released on: 2013-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.61" h x .80" w x 6.69" l, 1.04 pounds
  • Binding: Paperback
  • 306 pages

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