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This volume features recent work by 30 contemporary sculptors, all selected by one of contemporary art's most accomplished curatorial teams. It includes essays, artists biographies and a lexicon of contemporary sculptural terms.
- Sales Rank: #300939 in Books
- Published on: 2012-01-23
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 1.00" w x 10.00" l, 2.90 pounds
- Binding: Paperback
- 216 pages
About the Author
Richard Flood, Massimiliano Gioni and Laura Hoptman are, respectively, Chief Curator, Director of Special Exhibitions and Senior Curator at the New Museum of Contemporary Art, New York.
"Laura Hoptman is Curator of Contemporary Art at the Carnegie Museum of Art in Pittsburgh and sole curator of the 2004 Carnegie International. While Assistant Curator in the Department of Drawings at the Museum of Modern Art, New York, Hoptman curated the critically praised show Drawing Now: Eight Propositions. She has curated exhibitions and projects on Yayoi Kusama, Rirkrit Tiravanija, Elizabeth Peyton, John Currin, Luc Tuymans, and others."
Most helpful customer reviews
10 of 12 people found the following review helpful.
'Something From Nothing'
By Grady Harp
Once there was a period in art known as Dada: 'Dada or Dadaism is a cultural movement that began in Zürich, Switzerland, during World War I and peaked from 1916 to 1922. The movement primarily involved visual arts, literature--poetry, art manifestoes, art theory--theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. Its purpose was to ridicule what its participants considered to be the meaninglessness of the modern world. In addition to being anti-war, dada was also anti-bourgeois and anarchistic in nature. Dada activities included public gatherings, demonstrations, and publication of art/literary journals; passionate coverage of art, politics, and culture were topics often discussed in a variety of media. The movement influenced later styles like the avant-garde and downtown music movements, and groups including surrealism, Nouveau réalisme, pop art, Fluxus and punk rock.' Now, take that precursor movement and carry it into the art of today and this book frames another sister movement - The Art of the Unmonumental.
This book demonstrates the genius of constructing the ordinary happenstance findings that clutter our lives and building them into something creative - though NOT monumental. Writers Richard Flood, Laura Hoptman, Massimiliano Gioni and Trevor Smith (Curators at the New Museum of Contemporary Art, New York) have assembled (no pun intended) the works of both well-known and new artists who make things out of ordinary stuff and call our attention to the condition of the world today by capitalizing on the detritus we usually avoid. The results are splendidly creative 'artworks' - contraptions yes, perhaps, but objects or assemblages that are striking and grab out attention immediately. The joke (if there is one, and only the flummoxed collectors of fine art would consider it as such) is a pleasure ride of zany and at times poignant pieces. This is an excellent catalogue that is entertaining as well as illuminating. Grady Harp, February 10
11 of 14 people found the following review helpful.
A Monumental Book
By M. Epp-Carter
The book came to me in perfect condition and the content, well, anyone interested in the most current and contemporary sculpture today should have this book. Some of the artists will be familiar, some not, but all are doing quality work edging along the boundaries of what we call sculpture today.
1 of 1 people found the following review helpful.
Excellent reference for professional artists
By Mo Cathy
This collection is an invaluable resource for the contemporary artist. It includes biogophies of the artists and a wide variety of their artworks as well as reviews. It gives good insight into thier thesis and every ounce of content is relevant. It is a solid foundation book for someone looking beyond what their professors have shown them.
I have found this to be one of the most critically informative texts in my library.
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