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* From concept to completion, a thorough, down-to-earth grasp of all the ins and outs of writing the docudrama * Docudrama is a booming industry, with new films appearing almost weekly.


Nearly every day one can find news stories that would be dismissed as impossible if they weren't actually true, and many of them are being made into successful feature and television films. Dramatizing Reality explains how to find and rsearch ideas and
develop them into vaible stories, how to use dialogue to shape characters, and how to progress from a treatment to a saleable script. Also included is a chapter on the responsibilities involved with mixing truth and fiction. Alan Rosenthal has worked
as a writer, producer and director on more than 60 films for PBS, CBS, ABC, NBC, Israel TV and Dtch TV. He is the author of four other books and has contributed numerous articles to such publications as Film Quarterly and Cineaste.

• Sales Rank: #1871463 in Books
• Published on: 1994-12-19
• Original language: English
• Number of items: 1
• Dimensions: .63" h x 6.03" w x 9.19" l,
• Binding: Paperback
• 224 pages

Review


'If you're serious about writing screenplays (of any kind), you can't afford
not to buy it.'
Writers' Monthly, March 1996

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4 of 4 people found the following review helpful.
The ground zero of docudrama teaching
By David J Goodman
This is a wonderful and highly readable book, which does a superb job of opening up a fascinating but hithertofore totally unexplored area of film and television. A must for anyone interested in the relations between fiction, reality, and drama and wants to know how to enter this fast growing script field and how to write punchy and dynamic scenarios. Absolutely five stars.

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• Sales Rank: #12220225 in Books
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• Sales Rank: #2761310 in Books
• Published on: 2011-08-04
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x 1.06" w x 6.14" l, 1.10 pounds
• Binding: Hardcover
• 492 pages

About the Author

Enrique Ortega-Rivas is a professor at the Autonomous University of Chihuahua. He is a member of the editorial boards of Food and Bioprocess Technology: An International Journal, Food Engineering Reviews, and The Open Food Science Journal. A National Researcher of Mexico, Dr. Ortega-Rivas was a Fulbright scholar and has held positions at Food Science Australia, Monash University, and Washington State University. His research interests include food engineering, particle technology, and solid–fluid separation techniques.

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[T372.Ebook] Download PDF Unmonumental: The Object in the 21st Century, by Richard Flood, Laura Hoptman, Massimiliano Gioni, Trevor Smith

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This volume features recent work by 30 contemporary sculptors, all selected by one of contemporary art's most accomplished curatorial teams. It includes essays, artists biographies and a lexicon of contemporary sculptural terms.

• Sales Rank: #300939 in Books
• Published on: 2012-01-23
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 1.00" w x 10.00" l, 2.90 pounds
• Binding: Paperback
• 216 pages

About the Author
Richard Flood, Massimiliano Gioni and Laura Hoptman are, respectively, Chief Curator, Director of Special Exhibitions and Senior Curator at the New Museum of Contemporary Art, New York.

"Laura Hoptman is Curator of Contemporary Art at the Carnegie Museum of Art in Pittsburgh and sole curator of the 2004 Carnegie International. While Assistant Curator in the Department of Drawings at the Museum of Modern Art, New York, Hoptman curated the critically praised show Drawing Now: Eight Propositions. She has curated exhibitions and projects on Yayoi Kusama, Rirkrit Tiravanija, Elizabeth Peyton, John Currin, Luc Tuymans, and others."

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10 of 12 people found the following review helpful.
'Something From Nothing'
By Grady Harp
Once there was a period in art known as Dada: 'Dada or Dadaism is a cultural movement that began in Zürich, Switzerland, during World War I and peaked from 1916 to 1922. The movement primarily involved visual arts, literature--poetry, art manifestoes, art theory--theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. Its purpose was to ridicule what its participants considered to be the meaninglessness of the modern world. In addition to being anti-war, dada was also anti-bourgeois and anarchistic in nature. Dada activities included public gatherings, demonstrations, and publication of art/literary journals; passionate coverage of art, politics, and culture were topics often discussed in a variety of media. The movement influenced later styles like the avant-garde and downtown music movements, and groups including surrealism, Nouveau réalisme, pop art, Fluxus and punk rock.' Now, take that precursor movement and carry it into the art of today and this book frames another sister movement - The Art of the Unmonumental.

This book demonstrates the genius of constructing the ordinary happenstance findings that clutter our lives and building them into something creative - though NOT monumental. Writers Richard Flood, Laura Hoptman, Massimiliano Gioni and Trevor Smith (Curators at the New Museum of Contemporary Art, New York) have assembled (no pun intended) the works of both well-known and new artists who make things out of ordinary stuff and call our attention to the condition of the world today by capitalizing on the detritus we usually avoid. The results are splendidly creative 'artworks' - contraptions yes, perhaps, but objects or assemblages that are striking and grab out attention immediately. The joke (if there is one, and only the flummoxed collectors of fine art would consider it as such) is a pleasure ride of zany and at times poignant pieces. This is an excellent catalogue that is entertaining as well as illuminating. Grady Harp, February 10

11 of 14 people found the following review helpful.
A Monumental Book
By M. Epp-Carter
The book came to me in perfect condition and the content, well, anyone interested in the most current and contemporary sculpture today should have this book. Some of the artists will be familiar, some not, but all are doing quality work edging along the boundaries of what we call sculpture today.

1 of 1 people found the following review helpful.
Excellent reference for professional artists
By Mo Cathy
This collection is an invaluable resource for the contemporary artist. It includes biogophies of the artists and a wide variety of their artworks as well as reviews. It gives good insight into thier thesis and every ounce of content is relevant. It is a solid foundation book for someone looking beyond what their professors have shown them.
I have found this to be one of the most critically informative texts in my library.

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Poetry

• Sales Rank: #3035879 in Books
• Published on: 1964
• Binding: Hardcover

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The Hated Son, by Honore De Balzac

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The Hated Son

• Published on: 2015-07-04
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x .20" w x 7.44" l, .39 pounds
• Binding: Paperback
• 88 pages

About the Author
Honore de Balzac was a French novelist and one of the creators of Realism in literature. His “Human Comedy” spanned more than 90 novels and short stories in an attempt to comprehend and depict the realities of life in modern bourgeois France.

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0 of 0 people found the following review helpful.
Evil dad persecutes preemie
By Karl Janssen
The Hated Son, a novel by Honoré de Balzac, was originally published in 1831 under the French title of L’Enfant maudit. It is one of the “philosophical studies” in Balzac’s mammoth series of works known as the Comédie Humaine. The story is set in Normandy in the late 16th century. The Comte d’Herouville, a hateful and cruel man, has recently married a beautiful young heiress of delicate and saintly demeanor, Jeanne de Saint-Savin. The marriage was arranged for political and financial reasons, and Jeanne rightfully fears her brutish husband. Seven months after the wedding, a pregnant Jeanne goes into labor. The scene of the birth is a frightening ordeal in which d’Herouville treats the expectant mother with all the sensitivity and comfort of a medieval jailer for his prisoner. Given the short term of the pregnancy, d’Herouville suspects the baby is the son of Jeanne’s former lover and threatens to kill the child. In fact, the son, Etienne, is a preemie who is born tiny and frail. The Comte stops short of killing the boy because he needs a male heir to ensure custody of his wife’s estate, yet he openly despises Etienne, and banishes him from the castle, confining him to a seaside cottage where the boy grows up in solitude and isolation.

He can’t stay isolated forever, of course, or there wouldn’t be much of a story. Eventually Etienne grows up into a sensitive, artistic young man with the naive innocence of a veritable babe in the woods. I enjoyed the dark tone of the book’s gothic opening; Balzac is at his best when he’s being bad. Etienne’s idyllic existence, however, is dull and cloying by comparison. It is hard to identify or sympathize with a character who is so unrealistically wholesome and pure. If anything, the one character you end up rooting for is Beauvouloir, the “bonesetter” who delivers the baby and ends up having a prominent role in Etienne’s upbringing. The Hated Son has a few enjoyable moments, but overall it suffers from unnecessary protraction. Unlike Balzac works with large ensemble casts and convoluted story lines, this is a relatively simple tale revolving around five characters. There’s only enough material here for a short story, yet Balzac drags it out into a novel by adding lengthy descriptive passages that only belabor the degree of Etienne’s naivete or his uncommonly intense adoration for his mother.

Although this novel takes place centuries before the bulk of the Comédie Humaine, it nevertheless has ramifications for other works in the series. Later generations of the d’Herouville family would go on to figure prominently in the novel Modeste Mignon and receive mention in other Balzac works. There’s also a reference here to the family of prostitutes known as Les Marana, from the novel of the same name. Despite such connections, I wouldn’t consider The Hated Son to be an essential read for any but the most fervent fans of the Comédie Humaine. It’s perfectly fine writing when compared to other fare of the period, but in a ranking of Balzac’s works this one would likely fall somewhere in the bottom half.

7 of 11 people found the following review helpful.
The Hated Son
By L. J. Sanchez
The beginnig was a bit confusing. I didn't really know what was going on but after a few pages it comes to light. Set in the time where Duke's and Royalty take precidence over love when it comes to marriage, a woman choses to protect the small, premature child born to her from her husband who disowns his own blood. Things take a turn for the better but only temporarily.

0 of 0 people found the following review helpful.
Typical Balzac
By Funiwe Mkele
Great prose as per usual. I love how elegantly he writes. It was somewhat protracted but that is generally thee style of the period

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[E711.Ebook] Download Ebook Shakespeare's Secret Booke: Deciphering Magical and Rosicrucian Codes, by David Ovason

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Whereas Shakespeare's literary genius is universally recognized, there is also a hidden, secretive side to his work that is little known. Indeed, he used a mysterious code that figures widely in the esoteric literature of the Elizabethan and Jacobean periods. The Bard of Avon was a master of such encoding, and those who had known him continued his methods, in the Folio of 1623, as well as in his various memorials. However, Shakespeare did not invent that code. Among the many arcane authors who made use of it before him was Michel Nostradamus, the famous French prophet and savant.

As David Ovason reveals, many leading esoteric writers―alchemists, occultists, and Rosicrucians―contributed to this “Secret Booke.” Among the more outstanding English literary figures who used the code were John Dee, the mysterious adviser to Elizabeth I, Ben Jonson, the turbulent author of The Alchemist, and the more classically minded Edmund Spenser, whose poem “The Faerie Queene” is the most famous esoteric work of the period. Shakespeare's “Secret Booke” reveals many other literary figures who together form a remarkable underground literary movement, including Jakob Böhme, the most influential esotericist of the period, and alchemists such as the English polymath Robert Fludd. Another was Shakespeare's contemporary, the youthful Johann Valentin Andreae, credited as author of The Chymical Wedding, a Rosicrucian work replete with sophisticated examples of encoding.

The fact that all these writers used the same or similar encoding suggests a secret teaching designed to be recognized by initiates. Ovason explores and, for the first time, reveals what Shakespeare alluded to as a “Secret Booke.”

• Sales Rank: #1017206 in Books
• Brand: Brand: Clairview Books
• Published on: 2010-12-31
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .90" w x 6.10" l, .97 pounds
• Binding: Paperback
• 256 pages

Features

• Used Book in Good Condition

About the Author
David Ovason teaches astrology and has studied the life and writings of Nostradamus for more than forty years. He is the author of numerous books, including The Secrets of Nostradamus (1997); The Zelator: A Modern Initiate Explores the Ancient Mysteries (1998); The Secret Architecture of Our Nation's Capital (1999); The Two Children: A Study of the Two Jesus Children in Literature and Art (2001); The Secret Symbols of the Dollar Bill (2004); The History of the Horoscope (2005); and Shakespeare's Secret Booke: Deciphering Magical and Rosicrucian Codes (2010).

Most helpful customer reviews

2 of 3 people found the following review helpful.
33
By Yelena Shekhtman
All Ovason's books are enjoyable and thought provoking, but this unique approach to Shakespeare is especially insightful and mind-opening, inviting the reader to discover new territories and reread the bard's plays through a different prism. It's like touching the rainbow in the sky. The most magic feeling.

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