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From the author of the successful blog, mouthwateringvegan.com, comes over 130 incredible recipes to showcase how accessible, varied, delicious and nutritious vegan eating can be.

In this book you'll find recipes for your favourite comfort foods in all their vegan glory. Here are meat-free, egg-free and dairy-free recipes that combine the idea of eating healthily, with food that is immediately satisfying, tastes great and is easy to prepare. From delicious dips, appetizers and soups; to main courses including curries, pastas, stews, burgers and salads. There are a whole host of recommended juices and smoothies and--at the sweeter end of scale--cookies, cakes and desserts. Mouthwatering Vegan transforms home cooking classics into vegan-accessible, delicious dishes.

Miriam challenges herself to replicate dishes that are usually impossible to include in a vegan diet and opens up the scope for what vegan eating can be. Included in the book are recipes for vegan cheese, cream and mayonnaise; Chilli Con 'Carne', Shepherd's Pie, Mince & Ale Pie, Stroganoff Supreme and the Perfect Roast. As well as delicious dishes that celebrate pulses and vegetables, such as Aubergine, Chickpea and Potato Curry; Stuffed Tomatoes and Zucchini Casserole; Red Bean Nut Burgers; Spicy Rice & Quinoa Eggplant Bake; and Super Mushroom & Walnut Loaf.

Many of Miriam's recipes are inspired by the Mediterranean and the Far East, and all of them have the health benefits of vegan cooking without sacrificing the taste. Mouthwatering Vegan opens up new possibilities for vegan eating that will make you rethink vegan cuisine.

• Sales Rank: #88918 in Books
• Published on: 2013-06-18
• Released on: 2013-06-18
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.01" w x 8.06" l, 2.90 pounds
• Binding: Paperback
• 304 pages

About the Author

MIRIAM SORRELL is the blogger behind www.mouthwateringvegan.com. She is a natural health practitioner and gourmet vegan chef. Originally from the UK, she currently lives in Malta with her husband and daughter. Miriam has been featured in countless publications, including Metro News, Blikki Magazine, and Natural Lifestyle magazine. Mouthwatering Vegan Recipes had nearly 86,000 likes on Facebook as of June 2014, and the website was named Best Online Vegan Recipe Guide by the UK Vegan Awards.

Most helpful customer reviews

78 of 82 people found the following review helpful.
Best of the Best!
By Cindy Nielsen
I collect vegan cookbooks and read them as most people read a novel, so I know what is out there. I spend a LOT of time in my kitchen trying new vegan recipes and new techniques. I judge a cookbook by making three recipes...if they are good, then I try more and keep the book seeing how the writer thinks and uses their plant based foods and tools. If they are uninteresting, the books gets taken to the second hand shop. If they are wonderful, then they are my "go to" cookbooks that I rely on time and time again. So many cookbooks are just a rehashing of the same old same old thing. Miriam Sorrell is a true artist! She has managed to include many fresh new ideas and creations so delicious as to make one's head spin! Just reading the Table of Contents made my mouth water.....so it is true to it's title. The pictures are tempting, and the directions are easy to follow. These recipes make me look like a master in my own kitchen....all by following the directions of a true Master. Doesn't get any better than this. This "go to" cookbook will fast make you look like a pro...people won't believe that Vegan dishes can taste so good! Get this book!!

49 of 53 people found the following review helpful.
Mouthwatering is 100% accurate!
By Kindle Customer
On my first day of summer break from teaching middle school math,I was so excited to open my mailbox and find my Mouthwatering Vegan Cookbook. What a great way to start my break!!!! There are wonderful pictures for the dishes, which I find very helpful. The colors are beautiful and the pictures are so clear that I think I could almost smell the food. The cookbook is well organized. There is a very helpful section in the introduction called Vegan Pantry; this section contains some great information about kitchen equipment, vegan dairy, grains, meat substitutes,sweeteners, and so on. The book is arranged into the following sections: 1- Breakfast, Juices, and Smoothies,2- Appetizers & Sides, 3- Soups & Salads, 4- Pasta, Pizza & Burgers, 5-Curries, 6- Mouthwatering Mains, 7- Desserts,Cakes & Treats, and 8- Decadent Cheeses and Dairy Alternatives. The individual sections have their own table of contents. Each recipe begins with a short paragraph describing the dish and giving suggestions about what to serve with the dish. The directions are written in easy to follow steps. This is important for someone like me, who isn't the World's best cook. Most of the ingredients and spices I already have in my pantry, but a few recipes would require a trip to my local "health food" store. Where I live, the grocery stores are lacking in organic and vegan options. I love curried dishes and there are 9 to choose from. There are several recipes for making your own burgers and even one for hot dogs; these are a much healthier option than the over-processed vegan products in the stores. The desserts are sure to keep me from feeling deprived and are something everyone in the family would eat. My only problem is that there are so many wonderful recipes that I can't decide what to make for dinner.

24 of 26 people found the following review helpful.
Best Cookbook Ever. Ever.
By Susan M. Simpson
I ordered my copy of "Mouthwatering Vegan" the other day via Kindle and haven't put it down yet. I can tell you from personal experience that the Bolognese sauce IS the "Best Ever." It is now the official sauce of choice in our house. Ninety-nine percent of the ingredients in this book are easily obtainable as well and I'm having a blast tracking down some of the ingredients with which I'm not so familiar. We have been vegetarian for 28 years and have recently made the shift to Vegan...this book makes that transition oh-so-very easy. Keep writing cookbooks, Ms. Sorrell and I'll keep buying them!

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• Sales Rank: #9743698 in Books
• Published on: 2010
• Binding: Paperback

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This fresh and innovative hybrid text/online material for undergraduate CJ RESEARCH METHODS uniquely addresses the fundamental teaching issue for this course: how to communicate and successfully teach students that their future success as criminal justice practitioners is linked to their acquisition of research skills.

The author Brian Withrow, a former Texas State Trooper, widely published academic researcher, and teacher of the undergraduate methods course, consistently demonstrates how research skills aren't just essential to university academic researchers; they are essential to student success as criminal justice practitioners, and to all who want to succeed in an information economy. More than 80 short, sharply focused examples throughout the text rely on actual research that is conducted by, on behalf of, or relevant to criminal justice practitioners. The book engages students' interests like no other.

The online materials provide a wide array of instructor support material, all written by the author, and also offer a unique feature, The Researcher's Notebook, which provides students (and their instructors) a series of structured exercises leading to the development and completion of a research question, conducting a literature review, and designing a research method that provides the data necessary to answer the research question - all with a minimal amount of instructor supervision.

Cover images are courtesy of Lauren Withrow

• Sales Rank: #146752 in Books
• Published on: 2013-08-17
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .80" w x 7.40" l, 1.67 pounds
• Binding: Paperback
• 456 pages

Review

"Brian, I started using your research book this term and LOVE it. I have taught over 10 sections of research and this book is exactly what was needed. I love your "real-world" applications and the way you explain the steps in the research method. Tonight I am taking my students to our library where I have the research librarian give a class in searching the data bases, etc. For the first time I actually see students getting excited about research!"

- Dr. Deborah Woodward, University of Central Florida

"Dr. Withrow’s Research Methods in Crime and Justice is exceptional in terms of explaining the critical ‘how’ and ‘why’ of research methods. First, students need to understand that criminal justice procedures, processes, and methods don’t ‘just happen,’ and that nearly every CJ practice is grounded on a solid theory. Students also need to know how research applies in a real-world, practical sense; in fact, one of his frequently used boxed features is entitled ‘Making Research Real.’ Being a former police practitioner like Dr. Withrow, I appreciate this approach - and that he does not overwhelm the reader with esoteric terms and concepts. Still, where deeper explanation is needed, he provides it; where an example would make the point clearer, he includes it. How better to write such a book?"

-Ken Peak, Criminal Justice, University of Nevada, Reno

"Brian Withrow breathes life into what can be a difficult and confusing topic that many undergraduates have trouble understanding. His use of real-world examples, many from his own life and career, makes the text useful and popular."

-Geoffrey P. Alpert, Criminology and Criminal Justice, University of South Carolina

"It is not difficult to endorse Research Methods in Crime and Justice as it is one of those rare research methods books that are a page turner. Brian Withrow’s use of storytelling to engage the reader is superb! This is an important book that has accomplished what many research methods books have not, illuminating the importance of applying research techniques to both real world and criminal justice scenarios."

-Henry Jackson, Jr., Criminal Justice and Criminology, Metropolitan State University of Denver

"A major travesty in our rapidly emerging field has been our obsession with quantitative strategies. The vast majority of our undergraduate and masters level students who go on to work as practitioners in Criminal Justice rely on training that is qualitative in nature. This text addresses that need and helps fill a void in our evolving pedagogy."

-W. Wesley Johnson, Criminal Justice, University of Southern Mississippi

"Brian Withrow has written a research methods textbook that is sure to be welcomed by those of us who teach methods to criminal justice students. Research Methods in Criminal Justice is a refreshing look at the many methodologies available to researchers via real life examples embedded throughout the book's chapters. Instructors and students alike will be well served by his efforts to help students understand why studying research methods is important to them and their future careers."

-Barbara Sims, Criminal Justice, Mars Hill College

"I really like this manuscript. The contents are unique and excellent."

- Bitna Kim, Criminology, Indiana University of Pennsylvania

"I agree with Brian Withrow that it is a very good idea to rely heavily on storytelling as a teaching method and it is important to show students, in a convincing and powerful way, why and how learning research methods is quite relevant to their future work as a criminal justice practitioner."

- Yuning Wu, Criminal Justice, Wayne State University

"What distinguishes this manuscript from all others on the market is the down-to-earth approach, written in common language, which will undoubtedly appeal to typical undergraduates who traditionally struggle with methods."

– Gaylene Armstrong, Criminal Justice, Sam Houston State University

"I like the aims of the book relative to the kinds of things I am trying to accomplish. Focusing on the "story" of research is a useful tool. I also like all the additional materials that focus on giving students a roadmap to produce their research papers as well as research more generally. I also like the exercises at the end of each chapter and elsewhere in the book (or online)."

- Thomas Stucky, Criminal Justice, Indiana University-Purdue University Indianapolis

About the Author

Dr. Brian L. Withrow is Professor of Criminal Justice at Texas State University–San Marcos. Prior to joining the Texas State University faculty in 2009, Brian was an Associate Professor and Director of the Forensic Sciences Program at Wichita State University. While on the faculty at Wichita State University, Dr. Withrow served one term as Mayor of Bel Aire, Kansas. From 1993 to 1999, Dr. Withrow managed a police leadership development program at Sam Houston State University in Huntsville, Texas.

Prior to his scholarly career Brian worked for the Texas Department of Public Safety. He started this part of his career in 1981 as a State Trooper in a rural part of the Texas Panhandle. During the nearly 13 years Brian was at DPS he was promoted to the rank of Training Officer, Inspector, and Bureau Commander.

Brian earned his Bachelor of Arts degree in Criminal Justice from Stephen F. Austin State University in 1981, his Masters of Public Administration from Southwest Texas State University in 1993, and his Doctor of Philosophy in Criminal Justice from Sam Houston State University in 1999.

Dr. Withrow lives in Austin, Texas with his wife Lisa. They have four grown children and two grandchildren. Brian is an Eagle Scout and continues to remain active in in the Boy Scouts of America. Currently he serves as the Commissioner for the Sacred Springs District.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I just started my class readings and I've already found ...
By Alexandra J. Williams
I just started my class readings and I've already found a page ripped that has fallen out and was just slipped back into the book. I need to know who to contact to report this and make sure I am not charged for something I didn't do.

0 of 0 people found the following review helpful.
Had to have this book for my Methods of Criminal ...
By Amazon Customer
Had to have this book for my Methods of Criminal Justice Research class. But it is very helpful in producing an adequate research proposal. Learned a lot of new information on hos to a effective Research.

0 of 0 people found the following review helpful.
Five Stars
By lance
Good

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• Sales Rank: #1518610 in Books
• Brand: Brand:
• Published on: 2000-11-10
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.48" w x 7.00" l, 3.02 pounds
• Binding: Hardcover
• 680 pages

Features

• Used Book in Good Condition

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3 of 4 people found the following review helpful.
reference
By Amazon Customer
This book is not for reading. If you have a plant in mind and want to get a start on what properties it has this is your book. Best book on earth for that, may not have the exact species you are looking for but it will have the genus and your species will likely have almost identical properties.

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This new text is a comprehensive look at the issues surrounding population health management. The author defines populations, examines strategies to benefit different target groups, and suggests implementation strategies. The book describes different issues involved in establishing a population health management program, including the various ways health researchers can help design, implement, and evaluate different population health strategies.

• Sales Rank: #514190 in Books
• Brand: Brand: Health Administration Pr
• Published on: 2003-01-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .80" w x 7.00" l, 1.50 pounds
• Binding: Hardcover
• 288 pages

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• Used Book in Good Condition

About the Author
Ann Scheck McAlearney, Sc.D., is an Assistant Professor on the Ohio State University faculty in Health Services Management and Policy. She holds Bachelor's degrees in Biological Sciences and English from Stanford University, a Master's degree in Biological Sciences from Stanford University and a Doctorate in Health Policy and Management from Harvard University. Professor McAlearney teaches courses in Health Services Organizational Management, Strategic Management and Program Development, and Leadership in Health Care.

Dr. McAlearney's general research interests include the areas of outcomes research, population health management, and examining organizational and physician decision-making in the area of care management. Her publications cover areas such as access to care, satisfaction with care, disease management and population health management, information technology, cost-effectiveness of new technologies, and quality measurement. She is especially interested in how health services research findings are applied in health care organizations and how the reporting of health care outcomes and quality measures can be used to improve both care delivery and health care decision-making by consumers.

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1 of 1 people found the following review helpful.
Population Health Management: Strategies to Improve Outcomes
By James A. Walsh
This book is a required book for a University class.
It is very well written and the author's opinion is backed by research from several different institutions. This book presents the problem of Disease Management and Population Health Management as a method of trying to control our escalating health care costs and assist the aging population and those with chronic medical problems.

0 of 0 people found the following review helpful.
Five Stars
By mahagony
Interesting

2 of 2 people found the following review helpful.
thin but packed with what is promised
By D. Long
This was a required textbook, and honestly after paying 80-something, I expected a bigger heavier text, but this book is well written, with succinct chapters, and it covers everything you need to know about Disease Mgmnt, Population Health, ROI, Wellness programs, how to design and evaluate a program, etc.

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A refreshingly clearheaded and taboo-breaking look at race in America reveals our culture as neither Black nor White nor Other, but a mix-a mongrel.

Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is the author's ability to tackle blackface--a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Strausbaugh shows that, nevertheless, its impact has been deep and longlasting. The influence of blackface can be seen in rock and roll and hip-hop; in vaudeville, Broadway, and drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and Hollywood's 2004 White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak.

With remarkable common sense and clarity, Strausbaugh candidly illuminates truths about race rarely discussed in public, including:

- American culture neither conforms to knee-jerk racism nor to political correctness. It is neither Black nor White nor Other, but a mix-a mongrel.
- No history is best forgotten-however uncomfortable it may be to remember. The power of blackface to enrage and mortify Americans to this day is reason enough to examine what it still tells us about our culture and ourselves.
- Blackface is still alive. Its impact and derivations- including Black performers in "whiteface"-can be seen all around us.

• Sales Rank: #3975081 in Books
• Published on: 2006-06-08
• Released on: 2006-06-15
• Format: Bargain Price
• Number of items: 1
• Dimensions: 8.50" h x 1.28" w x 5.74" l,
• Binding: Hardcover
• 384 pages

About the Author
John Strausbaughis a regular contributor to The New York Times. His previous books include Rock Til You Drop and E: Reflections on the Birth of the Elvis Faith.

From The Washington Post
Anyone familiar with director Spike Lee's satirical film "Bamboozled" will have a head start on the themes in Black Like You, John Strausbaugh's take on the sordid history of blackface minstrelsy, the mongrel nature of America and related skeletons in the closet of U.S. pop culture. However, this excellently detailed account provides a more sympathetic examination of blackface -- defined here as "a form of racist caricature invented by White Americans in the minstrel-show days of the 1800s" -- than Lee's moralizing assessment. The less didactic approach is not necessarily a good thing, lending an often apologist air ("Why does Eminem sound black?" he asks. "Why does Oprah wear her hair straight? Maybe they just like it.") to an otherwise thoroughgoing overview.

Near the beginning of Black Like You, Strausbaugh lines up the nativists -- arguing "that American culture was and always had been the culture the first Europeans had brought with them across the Atlantic" -- against the multiculturalists, who subscribe to the melting pot theory and rally "against the evil, imperialist, genocidal, sexist, racist, homophobic, exclusionist culture the Founding Fathers brought with them and transplanted here." Though he refuses to side completely with the second faction because of what he perceives as their often ironic divisiveness, he does conclude that America owes its true personality to the collective makeup of its various ethnic groups. Americans of color will likely shrug their shoulders at this, an observation they have long taken for granted. How Strausbaugh goes about supporting his perhaps obvious point is what matters most, though, as he delves into the origins of blackface, the minstrel show, early African-American literature, black cinema and Negrobilia collectibles (e.g, "mammy" cookie jars).

A friend once admonished me for being offended by comedian Mike Myers's hip-hop parody in "Austin Powers in Goldmember," for the same reason Strausbaugh offers when denouncing the politically correct: "Surely no one can still be so hypocritical as to believe disrespectful stereotypes are acceptable from people who look like you, but insist it is racism when a member of another race finds humor in it." The author has a point, and he raises it to defend white comedians' right to find above-the-belt humor in the ways of African Americans in the same manner that, say, jokesters on BET's "Comic View" continually poke fun at the behavior of whites. Though Strausbaugh doesn't wholeheartedly excuse the harsher aspects of blackface, this is typical of his stance in Black Like You. He is confident that modern Americans are mature enough to be able to indulge in some mutual teasing about our differences, and he is hopeful that this may lead to some reciprocal appreciation as well.

Strausbaugh is most on target with his rundown of minstrel history, which he concludes by drawing a parallel with modern aspects of rap music. In 1832, T. D. Rice, a white man professionally known as Jim Crow, toured frontier towns dressed in tatters and blackface makeup -- the infamous mixture of burnt-cork ashes worn with clownish red lipstick. His hillbilly minstrel hit, "Jump Jim Crow," sparked a craze that lasted another 50 years as the dominant form of popular music in the United States, before giving way to vaudeville and ragtime. Following the Civil War, black performers took to minstrelsy for the rare professional opportunities it offered.

"Some minstrel songs started as Negro folk songs, were adapted by White minstrels, became widely popular, and were readopted by Blacks," writes Strausbaugh. "The question of whether minstrelsy was white or black music was moot. It was a mix, a mutt -- that is, it was American music." The same case is made nowadays to claim jazz as American music rather than the sole invention of black Americans.

The chronological approach of Black Like You surveys the evolution of minstrel music from backwoods immigrant entertainment to its appearance in more legitimate theater, such as stage adaptations of Uncle Tom's Cabin. In 1890 Ernest Hogan incorporated ragtime into the minstrel format with his "All Coons Look Alike to Me," creating the offshoot of "coon songs." Strausbaugh makes it simple to trace the lineage from a minstrel dandy such as Zip Coon to the current rap popularizers of bling such as Lil Jon. He occasionally strays off message, such as when he wanders into an ill-considered exploration of Ebonics. But overall, Black Like You is an all-encompassing, breezily written summary of an aspect of American popular culture usually swept under the rug.

Reviewed by Miles Marshall Lewis
Copyright 2006, The Washington Post. All Rights Reserved.

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0 of 0 people found the following review helpful.
Great Issues but not enough substance.
By CT Shopper
I thought the themes that Strausbaugh spoke about consistently were important themes that effect American popular culture. Though I feel that he lack of research driving economic forces behind Blackface and the minstrel shows and how that continued to perpetuate them in pop culture showed a flat view of the issue that only talks of morals. In a country where there is a large divide between the wealthy and the not wealthy it is hard to just view issues as pure moral issues that people need to stop being so Politically Correct about in their daily lives. I thought had he done more of the research himself and came to more critical decisions it would have been a better outing.

1 of 2 people found the following review helpful.
Fearless, funny, dead serious
By Harry Eagar
The first thing to say about "Black Like You" is that it's fearless. The second is, John Strausbaugh is a pretty funny guy.

There are so many themes in this serious book - no reason serious has to be solemn - that's it's hard to know where to begin, but a main theme is that blackface entertainment can be understood as youth rebellion, as much as or even more than some fundamentally racist trope.

Although "blacking up" can be traced way back, it erupted into popular culture on the Bowery in the 1830s, and the patrons were mainly young (often Irish) marginal white boys, who were under economic pressure from the proletarianization of American labor in the 19th century (a process explored solemnly and in great depth by Sean Wilentz in "Chants Democratic." Strausbaugh does not seem to have read Wilentz, but his conclusions are similar.). The same phenomenon, Strausbaugh says, erupted again and again, youth thumbing its nose against stodgy authoritarianism and dull order, as with the blues, rock and roll and hiphop.

Another theme is that America is a mutt culture,. It is not possible, in Strausbaugh's view, to make a bright line between racist blackface and the other kind. There were black minstrel performers, and in fact at some points they were predominant, and black blackface minstrel shows outlasted the white blackface.

Clearly, this is a cultural phenomenon that is not easy to pin down. Some blackfacing was viciously racist, some not so much, and maybe some not at all. Strausbaugh has no patience for either the antiblack racists nor the moralizing racists of the multiculti school.

He forthrightly calls the so-called diversity crusaders of the present day racists, and no one can doubt it. Although he does not put it quite this way, it is a question for philosophers: Who, in a country that is 70% white and 70% Protestant, is more "diverse," an African-American Baptist or an Italian-American Catholic?

Some of the book gets pretty far away from popular culture. Strausbaugh spends many pages on crappy movies, which may have been popular in the sense that they were not "high," but were not popular in the sense that many people were aware they existed. Their bare existence may tell us much about American attitudes - Strausbaugh would say they do, and I mostly agree with him - but there's a big difference between cult films and "Amos & Andy."

For example, Strausbaugh starts out with a report on a modern blackface comic, Chuck Knipp, whose character is Shirley Q. Liquor, but who also has a white persona, Betty Butterfield. Of the two, the white character is a vicious portrayal, a pillpopping Southern dimwit; while Shirley Q. Liquor is self-proclaimed "ignunt" but really a woman with few of the opportunities of Betty Butterfield doing the best she can in an unforgiving world. Knipp is not obviously a racist, but he is definitely misogynist.

In any case, not many Americans know Chuck Knipp, who is rather a cult figure with white homosexual men, and (I venture) not even many of them. It is hard to say to what extent Knipp represents 21st American popular culture.

Anyhow, Strausbaugh is right to think that "blacking up" reflects "a tremendous emotional, sexual and political confusion," and "Black Like You" does about as good a job of sorting it out as anyone ever has.

4 of 8 people found the following review helpful.
oh mammy!
By Arlee Bird
This is a highly readable book with some interesting and thought-provoking ideas. I can't vouch for the accuracy of everything presented here, but for the most part the data seems fairly plausible and convincing. For me, the first 3/4 of the book were far more interesting than the final chapters which analyze black influences in modern culture. Toward the end of the book I was anxious for it to end so I could move on to something else. I didn't buy some of the premises here, especially regarding "ebonics" and influence of Black speech on American English language. And though not too heavy handed, I did sense some sort of gay agenda wisping through some of the content of the book. Not making any accusations, but not sure what the author was trying to say about that and I didn't care to dwell on it.
Not a book that many people will love, but worth checking out if you are interested in the topics presented in the pages of BLACK LIKE YOU.

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The will and might of Rome are broken and the legacy of the great empire is chaos and uncertainty. The legions broke the ancient order of Britain, their foederati warriors diluted the blood and laws of the tribes. Now countless warriors descend on the islands in search of land, wealth and a home for their people. Angels, Saxons, Irish, Jutes and Frisians are joined by the flotsam of a fallen empire. These savage warriors will follow their lords wherever fate leads them, against whoever fate decrees.
Wulfhere has won his kingdom. His name is feared throughout the halls of Britain. Where does fate lead now? What plan does Tiw have for the Wolf Lord? In the confused torment of Britain it is impossible to see where the next enemy will arise. What story will the sisters weave for the Lord of the Wolf, his loved ones and his people?

• Sales Rank: #83699 in eBooks
• Published on: 2015-02-06
• Released on: 2015-02-06
• Format: Kindle eBook

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1 of 1 people found the following review helpful.
Terrible editing, but great story
By KJ
I had to pause and figure whether this should be a 3 or a 4 star review. I went with 4 stars purely for enjoyment of this story. I have read all four books so far, and find them immensely entertaining.

However. The editing is terrible. Really, just awful. There are SO many mistakes, typos, incorrect words, random useless commas, and so on. It's infuriating because it really detracts from a great book. All of the books had the same mistakes and I just want to SHAKE this author for not proofing this series better. Other than the editorial issues (which were truly overwhelming), I loved it.

The good: The main character is a calculated mix of traits: honorable yet savage, generous yet vengeful, respectful yet coarse. Most of the time you love him but sometimes you hate him. The battle scenes were well played out and the overall story arc is logical and enjoyable. It's action packed, and the shield wall battles were very easy to visualize. I really enjoyed the details about the era in general - their beliefs, their gods, how their halls are structured, the food they ate and the clothes they wore, etc. All of that was well done. It was easy to become completely immersed in the story and I read all four books in quick succession.

The bad: There were some strange inconsistencies throughout (especially this book #4), which I also chalk up to bad editing. The story is told in first person perspective. Yet there is a single random paragraph that observes from a third person perspective a scout, and his thoughts at the time of death. It was just weird. There is not a lot of sex in the books beyond the general pillaging and raping of village folk, but in this last book there were a few detailed sex scenes which just seemed out of place. I don't mind that kind of stuff, but it just didn't mesh with the rest of the series. The author's love of the word "careering" is really annoying. Yes, it's a real word - but I don't think it's actually meant to be used in all the situations where it appeared - I believe "careening" is the word that is more appropriate in some cases. At least switch it up! The misspellings were so frequent and repetitive (focussed, lead vs. led) that it seems less an issue of editing and more an issue of... the author just doesn't know better? I don't know but it was very distracting. There are a million more examples that I can't recall off the top of my head right now and they were the same mistakes in each of the four books in this series. Lastly, the ending was very abrupt. In the other three books, the endings were obviously setting you up for a different story line or direction, and the moment of culmination made total sense. In THIS book, it just... ended. In the middle of a conversation no less. There wasn't the same sense of an appropriate break in the story as with the other books. I hope the next book wraps up some loose threads as well, which I won't go into here due to spoilers.

All in all, someone is probably reading this review and wondering why I actually ended up giving four stars but really it's because I liked this series a lot, that's all. Just plain and simple good reading if you can get past all the editorial BS. If the author could get that part worked out in the next book, it will be top notch. One other suggestion if the author happens to read this: a glossary/pronunciation guide IN THE BEGINNING would be really helpful. Also a map.

0 of 0 people found the following review helpful.
Excellent read
By Kindle Customer
Viscous fights in the sheild wall against the ancient tribes who live among the angles in the island of the mighty. A fair strong king wulfhere took his people across the whale roads to start a new kingdom and has to deal with all the ancient enmities of the tribes of Britain. A deadly enemy to have. The weahl do not know sheild walls and throw themselves bodily onto the slaughter field.

0 of 0 people found the following review helpful.
Great Book
By Bobbie Hathaway
The Angelcynn books are great. To have another author, Andrew Cook, is new and different. He goes into full detail so that you may visualize the smallest happenings. I have read all four books and anxiously await the fifth. You will not go wrong in selecting this series.

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What is terrorism and can it ever be defended? Beginning with its definition, proceeding to its possible justifications, and culminating in proposals for contending with and combating it, this book offers a full theoretical analysis of the issue of terrorism. Tamar Meisels argues that, regardless of its professed cause, terrorism is diametrically opposed to the requirements of liberal morality and can only be defended at the expense of relinquishing the most basic of liberal commitments. Meisels opposes those who express sympathy and justification for Islamist (particularly Palestinian) terrorism and terrorism allegedly carried out on behalf of developing nations, but, at the same time, also opposes those who would tolerate any reduction in civil liberties in exchange for greater security. Calling wholeheartedly for a unanimous liberal front against terrorism, this is a strong and provocative attempt to address the tension between liberty and security in a time of terror.

• Sales Rank: #4408829 in Books
• Brand: Brand: Cambridge University Press
• Published on: 2008-10-13
• Released on: 2008-09-18
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .63" w x 5.98" l, .90 pounds
• Binding: Paperback
• 250 pages

Features

• Used Book in Good Condition

Review
"The Trouble with Terror addresses an important and controversial topic without pulling punches, but also without losing sight of scholarly values - it has all the force of a polemic, but without the vices thereof."
Chris Brown, London School of Economics

"Tami Meisels adds a new and distinctive voice to the debate about terrorism and the relation between security considerations and civil liberties. This book combines an emphatic and hardline condemnation of those who express sympathy for the aims and strategies of terrorism, with a profound grasp of the difficulties associated with many of the tactics - such as targeted assassination or coercive interrogation - that are used in the struggle against terrorism. Above all it is an engaged book - engaged in debate with recent writings on these matters, engaged with the values that are endangered both by terrorism and by the tactics that are used against it, and engaged wholeheartedly with the actual events in Israel and elsewhere that have given rise to these dilemmas."
Jeremy Waldron, University Professor, NYU Law School

"Tamar Meisels writes about some of the hardest moral/political questions with great philosophical sophistication and historical insight. But what marks this book above all is her luminous common sense."
Michael Walzer, Institute for Advanced Study, Princeton, New Jersey

About the Author
Tamar Meisels is Lecturer in the Political Science Department at Tel-Aviv University. She is the author of Territorial Rights (2005).

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Among the earliest films ever made in Cuba, dating from the end of the last century, are newsreels containing footage of the Spanish-Cuban-American War. Since that time film has never been far from the centre of Cuban cultural politics. The early chapters of this history of Cuban cinema, the first to be written in English, focus not only on the films made but also on Cuba's position in Latin American culture and its role within the international economy of Hollywood. In the twenty-five years since the revolution there has been urgent debate about the role of the cinema within the cultural life of the country and about the kinds of films best suited to its needs. The latter part of the book is concerned with these discussions, with the restructuring of the film industry after the revolution and with the achievements of contemporary film-makers.

• Sales Rank: #2143521 in Books
• Published on: 1986-02
• Number of items: 1
• Binding: Paperback
• 314 pages

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